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・ The Importance of Being Idle
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・ The Important Book
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・ The Imaginary (psychoanalysis)
The Imaginary (Sartre)
・ The Imaginary (short story)
・ The Imaginary Baron
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・ The Imaginary Invalid
・ The ImaginAsian
・ The Imaginatively Titled Punt & Dennis Show
・ The Imagine Project
・ The Imagined Savior is Far Easier to Paint
・ The Imagined Village
・ The Imaging Science Journal
・ The Imam and the Indian
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・ The Imbible


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The Imaginary (Sartre) : ウィキペディア英語版
The Imaginary (Sartre)

''The Imaginary: A Phenomenological Psychology of the Imagination'' ((フランス語:L'Imaginaire)), also published under the title ''The Psychology of the Imagination'', is a 1940 book by Jean-Paul Sartre, in which he propounds his concept of the imagination and discusses what the existence of imagination shows about the nature of human consciousness.
==Arguments==
There are two important points Sartre stresses in the book. First, while some believe imagining to be like an internal perception, Sartre argues that imagination is nothing like perception. Perception is our study over time of a particular object with our senses. It is necessarily incomplete; one can only see one side of a chair at a time, for example. Thus, perception involves observation. By contrast, imagination is total. In the chair that appears in our imagination, we have all sides of the chair given to us at once. However, Sartre points out that imaginary objects cannot teach us anything. The totality of the chair that appears in our imagination comes from a synthesis of our knowledge of the chair and our intention toward it. We expect the chair to be X or Y, therefore, in our imagination, it appears to us this way. Thus, Sartre calls what goes on when we picture something imaginary, "quasi-observation." Imaginary objects are a "melange of past impressions and recent knowledge" (''The Imaginary'' 90). In short, imaginary objects are what we intend them to be. Because imaginary objects appear to us in a way which is like perception but is not perception, we have a tendency to treat them as if they were real. That is not to say we are deluded; we know that they're imaginary. But we tend to ascribe emotions, traits, and beliefs to these irreal objects as if they were real.
Secondly, throughout the book Sartre offers arguments against conceiving images as something inside a spatial consciousness. Sartre refers to this idea as the "illusion of immanence."

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